Buyers Directory

When EMI Music Publishing’s roster of over 2 million songs was put up for auction in 2011, only two players bid — a competitive field that looks quaint now that highly capitalized institutional investors have joined the game and driven prices of catalogs for a single songwriter or act into the tens of millions of dollars.

KINGS OF THE DEAL
Concord
Steve Salm, chief business development officer
Los Angeles
310-385-4455
When Concord merged with Bicycle Music in 2015, the deal put over 100 publishing and recording catalogs — including the storied Stax, Fantasy, Prestige and Vanguard labels — under one roof and created a company with, at the time, an estimated $125 million in revenue. Since then, Salm, who has negotiated around 250 catalog and song acquisitions since the early days of Bicycle, has made some of the biggest publishing deals of the last three years. Concord’s 2017 $550 million purchase of Imagem remains the biggest music publishing acquisition that did not involve one of the majors. In 2020, he led the deal to acquire a majority stake in Pulse Music for, sources say, $160 million, and followed it with what may be the richest artist publishing catalog purchase of the year: upwards of $105 million for 100% of Imagine Dragons’ writer’s share and a percentage of the publishing rights, which are co-owned by Universal Music Publishing Group. As a result of those deals, Concord is closing in on $200 million in publishing revenue for the year.

Hipgnosis Songs Fund
Merck Mercuriadis, founder
London
info@hipgnosissongs.com
Over the last two years, Hipgnosis and Mercuriadis have disrupted music publishing pricing models by spending almost $1.2 billion to snap up 117 catalogs containing 57,000 songs — sometimes at eye-popping multiples that have exceeded 20 times net publisher’s share (NPS). Hipgnosis is publicly traded on the London Stock Exchange, which gives it access to the level of deep funding that enabled Mercuriadis to make a preemptive $323 million offer for the Kobalt Music Copyrights Fund 1, which includes the song catalogs of Lindsey Buckingham, Stevie Winwood, The B-52’s, George Benson and Skrillex.

 

Primary Wave
Larry Mestel, founder/CEO
New York
212-661-6990
Primary Wave has been on a buying spree since 2016, spending upwards of $500 million in a series of deals and strategic partnerships that ranged from $50 million to $100 million. Mestel, who says Primary Wave is in the “icon and legend” business, spent $22 million for Smokey Robinson’s catalog and $50 million to buy 80% of two catalogs owned by Island Records founder Chris Blackwell: Bob Marley’s song catalog and Blue Mountain Music, which includes songs by U2 and Toots & The Maytals. Other catalogs on Primary Wave’s roster include Air Supply, Devo, Boston’s Tom Scholz, a portion of the Ray Charles catalog and songs by — or writer’s shares of songs by — Def Leppard, Hall & Oates, and Boy George & Culture Club. Primary Wave also owns a 50% stake in the assets of the Whitney Houston estate. Mestel likes to throw brand and marketing support behind the company’s investments — for instance, working with Robinson to establish the second Sunday in October as National Father-Daughter Day in honor of the Motown singer’s relationships with his six daughters. Billboard estimates the NPS of its holdings at $35 million to $40 million, and sources say Primary Wave is managing $1 billion in assets.

Round Hill Music
Josh Gruss, CEO
New York
212-380-0080
In November, Round Hill joined Hipgnosis on the London Stock Exchange after raising $282 million in advance of its initial public offering. Led by Gruss, the music publishing investment platform plans to purchase 120,000 songs including works by The Beatles, The Rolling Stones and Céline Dion. Round Hill is also seeking capital commitments of over $250 million for its Music Royalty Fund III. This should give the company a substantial war chest to add to its largely blue-chip portfolio. In 2018, Round Hill made one of the biggest publishing deals of the last five years, acquiring the coveted Carlin America catalog — over 100,000 copyrights for hits by AC/DC, Billie Holiday, Meatloaf and Elvis Presley — for $245 million. More recently, it spent approximately $20 million for Goo Goo Dolls frontman Johnny Rzeznik’s catalog.

THE MAJORS

Sony/ATV Music Publishing
Jon Platt, chairman/CEO
New York
212-833-6800
Now in its third year under the leadership of Jon Platt, Sony/ATV is typically a potential buyer when significant catalogs are up for sale, but, like all of the majors, it’s more discerning when it comes to writing a check — especially since parent company Sony Corp. financed the two biggest music publishing deals of the last decade. In 2012, Sony led a consortium of buyers in the acquisition of EMI Music Publishing for $2.2 billion. Then, in 2018, it bought out those partners for $2.3 billion, the Michael Jackson estate’s stake in EMI for $288 million (after buying the estate’s share of Sony/ATV for $750 million in 2016) and assumed $1.36 billion in debt — in a deal that valued EMI at $4.75 billion. These transactions gave Sony/ATV $1.45 billion in publishing revenue in the fiscal year ended March 31, a catalog of 2.1 million songs and a license to be selective.

Universal Music Publishing Group
Jody Gerson, chairman/CEO
Santa Monica, Calif.
310-235-4892
UMPG’s $2.1 billion acquisition of BMG Music Publishing in 2007 remains the third-largest publishing deal of the century, and it has been understandably discriminating when it comes to subsequent purchases. Since taking the reins of the publisher in January 2015, Gerson has focused on signing artists and songwriters instead of acquisitions, which has paid off in significant growth for the company. UMPG is on track to generate close to $1.4 billion in 2020, up from $818 million at the end of 2014.

Warner Chappell Music
Guy Moot, co-chair/CEO
Carianne Marshall, co-chair/COO
Los Angeles
310-441-8600
Prior to 2019, Warner Music Group had focused on purchasing recorded masters, but that year its publishing division, Warner Chappell, acquired the 1,500-song catalog of Gene Autry and, in a joint venture with Providence Equity, launched Tempo Music, an investment platform for recorded-music and publishing assets. Tempo began with a $650 million war chest that has since grown to $1 billion, and Warner administers Tempo’s publishing investments. WMG has projected that revenue for Warner Chappell could hit $665 million in fiscal year 2020.

INDIES

Anthem Entertainment
Helen Murphy, CEO
Toronto
416-850-1163
Anthem (formerly ole) has slowed the aggressive acquisitions pace it maintained from 2010 to 2015, but it’s still in the market for a catalog that complements its portfolio of 55,000 songs by over 400 songwriters, as well as 60,000 hours of film, TV and production music libraries. (It also operates a record label.) Its most recent purchase, in late 2019, was the Ricky Reed catalog, which included songs recorded by Halsey, Leon Bridges, Meghan Trainor and Lizzo. Anthem’s holdings generated approximately $60 million in NPS and about $35 million in earnings before interest, taxes, depreciation and amortization (EBITDA) in 2017.

BMG
Hartwig Masuch, CEO
New York (U.S. headquarters)
323-969 0988
info.us@bmg.com
After establishing itself as the leading catalog buyer from 2010 to 2015, BMG shifted to buying labels after prices for music publishing assets began escalating again. Still, it remains a potential buyer for song catalogs that it deems sound acquisitions, and is the current leader in a three-way race with Kobalt and Concord to be the industry’s fourth major. Today, BMG has an estimated $425 million in annual music publishing revenue thanks to a portfolio that includes Cherry Lane Publishing, Stage Three, Crosstown Songs, Evergreen Copyrights, Chrysalis Music, Bug Music, Talpa Music B.V., Virgin Music, Famous Music, Minder Music and a stake in the Arc Music catalog.

Downtown Music
Justin Kalifowitz, CEO
New York
212-461-1449
In October, Downtown Holdings hired Fred Davis, a partner at The Raine Group, to seek strategic opportunities, including a buyer, for the company. The surprise move came after substantial purchases in the recorded-music sector $200 million for CD Baby in 2019, $40 million for Dutch business-to-business services company FUGA in early 2020 — and this year’s publishing acquisitions of Africa’s Sheer Music and Good Soldier Songs, which includes The 1975’s catalog. The ongoing auction process could result in a sale of the company or recapitalization with additional funding for management to continue pursuing growth opportunities.

Kobalt Music Group
Laurent Hubert, CEO
New York (U.S. headquarters)
info@kobaltmusic.com
The company announced in early November that it had sold its Kobalt Music Copyrights Fund 1 for $323 million to Hipgnosis. Johan Ahlström, the CEO of its investment division, Kobalt Capital, says the plan is to continue acquiring publishing assets through Fund II, which raised $600 million in 2017 and purchased the SONGS catalog at the end of that year and songwriter-producer David Hodges’ catalog for an undisclosed sum in October 2020. Catalog sellers should keep in mind, however, that the bulk of the parent company is up for sale and claiming a valuation that exceeds $1 billion, according to sources. Kobalt’s most recent financial results, for the fiscal year ending June 30, 2019, show that it generated $405 million in music publishing revenue and collected another $66 million in publishing royalties from its AMRA performing rights organization.

Mojo Music & Media
Mark Fried, CEO
Lake Success, N.Y.
917-992-2746
mark@mojomusicandmedia.com
Mojo established itself as a player in 2019 when it acquired HoriPro Entertainment Group’s catalog of 15,000 songs by REO Speedwagon, George Strait, KISS and Jerry Reed. Earlier acquisitions include songs written or co-written by Artie Kornfeld, such as “The Pied Piper,” as well as Johnny Burke, Paul Evans, Bernie Wayne and Bobby Robinson. Billboard estimates that Mojo has an annual NPS of $6 million.

Peermusic
Ralph Peer, chairman/CEO
Mary Megan Peer, deputy CEO
Berkeley, Calif.
510-848-7337
sfcorp@peermusic.com

Founded in 1928, peermusic is one of the largest independent music publishers in the world, with a presence in over 30 countries. It is also one of the most selective. Peermusic’s last known deal took place in 2019, when it acquired the 40,000 songs of Korean music publisher Music Cube.

Reservoir Media
Golnar Khosrowshahi, founder/CEO
New York
212-675-0541
Reservoir has spent over $350 million on a combination of signings and small acquisitions to build itself into a major player, with an estimated annual NPS of $35 million to $40 million and, Billboard estimates, a valuation of $800 million. Khosrowshahi’s acquisitions include the song catalog of heavy metal label Century Media, Blue Raincoat Music, U.K. publisher Reverb Music and TVT Music, as well as the catalogs of artist-songwriters Hans Zimmer, the Isley Brothers and, sources say, writer-producer Bob Crewe, who collaborated with Bob Gaudio on a number of hits by The Four Seasons. In May, Reservoir bought the 16,000-song Shapiro Bernstein catalog, which includes “In the Mood,” “Rockin’ Robin,” “Ring of Fire” and “Little Bitty Pretty One” and songs recorded by Bob Dylan, Judy Garland, Edith Piaf and Michael Jackson. While the terms of the deal were not disclosed, sources say the catalog generated about $3 million in annual NPS and the owner was seeking $60 million. Sources say it is Reservoir’s biggest acquisition to date.

Spirit Music Group
Jon Singer, chairman
New York
212-533-7672
In January 2019, Spirit Music senior executives Singer (now chairman) and Ross Cameron led a management buyout of the company from Pegasus Capital Advisors by raising $350 million through its holding company, Lyric Capital Group. (Cameron remains an owner of Spirit and, along with Singer, co-founding partner of Lyric Capital.) As chairman of Spirit, Singer now oversees a 75,000-song catalog that includes tunes by Pete Townshend, T. Rex, James William Guercio, Graham Nash, and Marilyn and Alan Bergman. Spirit had about $21 million in NPS when Singer took over, and sources say the publisher is in the process of raising capital for a new investment fund.

NEW PLAYERS

Eldridge
Todd L. Boehly, co-founder/chairman/CEO
Greenwich, Conn.
203-298-5300
Eldridge, which has ownership stakes in dick clark productions, MRC Data, the Los Angeles Dodgers and Billboard, among other entertainment properties, has long flirted with pursuing music publishing asset deals, and in mid-November it landed its first: songs on albums by Las Vegas rockers The Killers released prior to 2020. Financial terms were not disclosed, and the band retained ownership of its master recordings. Universal Music Publishing Group will also continue to administer the group’s song catalog.

Ithaca Holdings
Scooter Braun, chairman/owner
Los Angeles

Ithaca made two key publishing acquisitions in 2019, Atlas Music home of the Van Halen catalog and songwriters Brandi Carlile, Dan the Automator, Warren Haynes and Toby Gad, writer of John Legend’s “All of Me”) and Big Machine Music Publishing, along with its acquisition of Big Machine Label Group, which gave it ownership of Taylor Swift’s master recordings. In mid-November, Shamrock Holdings bought Swift’s masters from Ithaca.

Vine Alternative Investments
Rob Amir, partner
New York
info@vai-llc.com
Vine made news in October when it purchased DJ-producer Calvin Harris’ 150-song catalog for $105 million, according to sources — only its second deal in the music sector. At the time, Vine partner Rob Amir told Billboard that the addition of Calvin Harris “is a continuation of our pursuit of building a multigenre media ecosystem.” Vine’s previous entertainment investments were limited to film and TV entities. It acquired Lakeshore Entertainment in 2019 and, along with Falcon Investment Advisors, purchased a controlling interest in Village Roadshow Entertainment Group in 2017.

Shamrock Capital Advisors
Jason Sklar, managing partner
Patrick Russo, partner
Los Angeles
310-974-6600
contact@shamrockcap.com
Shamrock raised its profile significantly in November when it purchased Taylor Swift’s catalog from Scooter Braun’s Ithaca Holdings — its biggest recorded-music acquisition to date. Its last major publishing deal took place in 2018, when it bought the catalog of Stargate, the working handle of songwriting/producing duo Tor Hermansen and Mikkel Eriksen, who have co-written songs for Beyoncé, Katy Perry and Rihanna. After investing $250 million in a range of entertainment and media assets through its Shamrock Capital Content Fund I — including 5,000 songs — the company closed solicitation for its Entertainment Content Fund II in July after building a $400 million war chest. According to its website, Shamrock typically makes investments in the $5 million to $50 million range, although sources say its acquisition of the Swift catalog was exponentially larger. (The company declined to provide any specifics regarding its acquisitions.)

Tempo Music |
Sherrese Clarke Soares, founder/CEO
New York
Tempo is funded by Providence Equity Partners, which manages upwards of $30 billion in assets and has given Clarke Soares, former managing director of Morgan Stanley, $1 billion in backing to buy music publishing and recorded masters catalogs. (Tempo plans to eventually expand to other media.) Warner Music Group, which is also a partner, will provide any administration needs. The company keeps its business close to the vest but has done at least one deal a month in 2020, according to Clarke Soares. Its first acquisitions were select copyrights of singer-songwriters Shane McAnally and Ben Rector and producer-songwriter Jeff Bhasker.

How to Watch ‘The Disney Holiday Singalong’ With BTS, Katy Perry, P!nk & More

Christmastime is officially here, and that means The Disney Holiday Singalong is coming to a TV screen near you!

Hosted by Ryan Seacrest and featuring performances by BTS, Katy Perry and more, the latest singalong special is set to air Monday night (Nov. 30) on ABC at 8:00 p.m. ET.

The K-pop boy band is slated to perform their rendition of “Santa Claus is Coming to Town,” and Perry will deliver a medley of “I’ll be Home for Christmas” and her 2018 original holiday track “Cozy Little Christmas.”

Other artists fans can expect to appear during the festive evening include P!nk (“The Christmas Song” with her daughter Willow Hart), Chloe x Halle (“Do You Want to Build a Snowman?” from Disney’s Frozen), Michael Bublé (“It’s Beginning to Look a Lot Like Christmas”), Ciara (“Rockin’ Around the Christmas Tree”) and Adam Lambert (“Have Yourself a Merry Little Christmas”).

The Holiday Singalong will also feature the Broadway cast of Frozen as well as Disney a cappella group DCappella.

Monday’s singalong event follows the success of The Disney Family Singalong and its sequel, The Disney Family Singalong: Volume II, which each aired earlier this spring in the wake of the coronavirus pandemic to raise much-needed funds for Feeding America. All three specials follow in the spirit of Disney’s popular Sing-Along Songs series of home video releases, which ran from 1986 to 2006.

The Disney Holiday Singalong will also be broadcast on ABC.com, as well as any live TV streaming service such as YouTube TV, Sling, Roku, etc. Additionally, viewers will be able to watch the special after it airs on Hulu.

Check out ABC’s latest festive teaser below.

Top-Dollar Tunes: A Timeline Of 21st Century Song Catalog Deals

Nine-figure deals for publishing catalogs were being inked as far back as 1986, when SBK paid $125 million for CBS Songs and Warner Music spent $225 million for the Chappell Music catalog. What has changed since the dawn of the 21st century is the arrival of the billion-dollar deal and a brisk rise in the multiples of net publisher’s share (NPS) — essentially gross profit — that buyers are willing to pay for the publishing rights to a cache of hit tunes. While buyers typically paid five to six times NPS in the ’80s and ’90s, they’re currently shelling out 10 times NPS for production music to as much as 23 times for catalogs of enduring A-list hits — with the average multiple falling somewhere around 16 — thanks to voracious and relatively new players Hipgnosis, Primary Wave and Concord, as well as an influx of private equity dollars, all buttressed by low interest rates.

August 2000 Universal Music Group buys Rondor Music, the independent music publishing company of A&M co-founders Herb Alpert and Jerry Moss, for $400 million in Seagram stock and cash. The Rondor catalog has 50,000 titles, including songs by The Beach Boys, Otis Redding, Peter Frampton and Tom Petty.

July 2002 Sony/ATV acquires Acuff-Rose for $157 million in cash. The catalog contains 55,000 songs by songwriters such as Roy Orbison, The Everly Brothers and Hank Williams, with titles that include “Bye Bye Love” “Oh, Pretty Woman” and “Your Cheatin’ Heart.”

March 2004 EMI Music Publishing, which bought 50% of Jobete in 1996 for $132 million and acquired another 30% in 2003 for, Billboard estimates, $120 million, buys the remaining 20% in 2004 for $80 million. For that total payout of $292 million to $332 million, the publisher lays claim to a trove of iconic Motown songs including “My Girl” and “I Heard It Through the Grapevine” and such vaunted songwriting collaborators as Holland-Dozier-Holland and Norman Whitfield and Barrett Strong.

April 2007 Sony/ATV buys the Lieber & Stoller catalog for $50 million, adding a collection of classics to its portfolio that includes “Hound Dog,” “Jailhouse Rock,” “Stand by Me,” “Love Potion #9, “I Keep Forgettin’” and “Santa Claus Is Coming to Town.”

May 2007 After almost nine months of negotiations with European regulators, Universal Music Publishing Group acquires BMG Music Publishing for $2.1 billion after UMPG agrees to sell off some of the catalogs it already owns. The deal gives UMPG songs by Coldplay, Justin Timberlake, Maroon 5, Christina Aguilera, R. Kelly and Juan Gabriel. The 10-figure price is the highest paid for a song catalog at the time.

May 2007 Sony/ATV acquires Famous Music from Viacom for $370 million. The 125,000-song catalog contains several decades worth of classics. Among them: “Moon River,” “It Don’t Mean a Thing (If It Ain’t Got That Swing),” “Silver Bells,” “That’s Amore,” “Footloose,” “Take My Breath Away,” “The Real Slim Shady” and “Bad Day.” Famous’ roster of songwriters includes Linda Perry, Modest Mouse and Ozomatli.

February 2008 Dutch music publisher Imagem pays $170 million for the catalogs that UMPG agreed to sell in order to acquire BMG Music Publishing. They include the U.K. catalogs of Rondor and Zomba as well as BBC Publishing.

April 2008 Imagem goes shopping again, acquiring classical music publisher Boosey & Hawkes for $199 million. The deal includes the Rodgers & Hammerstein catalog of musicals, movies and songs.

November 2010 BMG Rights Management, a joint venture between German media giant Bertelsmann and the private equity firm of Kohlberg Kravis Roberts — not to be confused with BMG Music Publishing, which UMPG absorbed in 2007 — acquires the Chrysalis catalog for $169 million. The deal nets BMG 100,000 songs by artists such as David Bowie, Cee Lo Green and Sheryl Crow.

September 2011 BMG lays out about $320 million for Bug Music, a Los Angeles-based indie publisher with about $80 million in annual revenue and an NPS of $31 million. The 250,000-song catalog includes classics “Fever,” “Summer in the City,” “What a Wonderful World” and “Under the Boardwalk,” as well as titles from a stable of writers that features Johnny Cash, Del Shannon and Iggy Pop.

June 2012 A consortium of investors including Saudi Arabia-based Mubadala and led by Sony Corp. completes its acquisition of EMI Music Publishing for a then-record amount of $2.2 billion. In addition to the Jobete catalog, the deal covers a cache of Queen songs (including “Bohemian Rhapsody”), the Carole King catalog and evergreens such as “Over the Rainbow,” “Baby Love,” “New York, New York,” “Have Yourself a Merry Little Christmas” and “Every Breath You Take.” In addition to the price paid, the deal is significant because EMI’s publishing assets sell for a higher price than the $1.9 billion that Universal pays to acquire its label operations.

December 2012 BMG buys Rosetta/Virgin Publishing — which, at the time, has annual revenue of $25 million to $40 million — for $140 million. The 21,000-song catalog includes Nirvana’s “Smells Like Teen Spirit” and ’80s hits like Tears for Fears’ “Shout,” Culture Club’s “Karma Chameleon” and The Human League’s “Don’t You Want Me.” Famous Music UK’s catalog is also part of the deal.

September 2013 BMG expands further by creating a joint venture with indie music publisher Primary Wave for $150 million, which includes the purchase of certain publishing assets. The deal ends in 2016, but BMG retains ownership of a catalog of songs that includes Earth, Wind & Fire’s “September,” Hall & Oates’ “Kiss on My List,” John Lennon’s “I Want To Hold Your Hand” and Marvin Gaye’s “How Sweet It Is,” while Primary Wave continues acquiring other music publishing assets.

March 2014 BMG buys out private equity partner Kohlberg Kravis Roberts’ 51% stake in the music publisher for $742 million. The deal ends a five-year joint venture that began after BMG relaunched its music operation after selling its labels to Sony Music and its publishing catalog to Universal.

March 2016 Sony buys out the Michael Jackson estate’s 50% share in Sony/ATV for $750 million.

June 2017 Concord (then known as Concord Bicycle Music) acquires Imagem for approximately $560 million. The Dutch publisher’s 250,000-song catalog has grown to include the Rodgers & Hammerstein and Boosey & Hawkes catalogs and features songs written by Phil Collins and Genesis, Daft Punk, Pink Floyd, Mark Ronson, Linkin Park, Sammy Cahn, Iron Maiden, Chet Faker, M.I.A., R. Kelly, Billy Ocean, Justin Timberlake, Wynton Marsalis, Vampire Weekend, Will Smith, Steve Miller, Cathy Dennis, Lionel Richie, Kaiser Chiefs and 30 Seconds to Mars.

May 2018 Sony buys out the consortium of investors that it partnered with to purchase EMI Music Publishing for approximately $2.3 billion — the largest music publishing deal to date. The acquisition, which carries a valuation of $4.75 billion, gives Sony/ATV a massive catalog of 2.1 million songs.

January 2020 Concord buys a majority stake in Pulse Music Group for approximately $160 million, according to sources. The 10,000-song catalog includes titles by songwriters Starrah, Ty Dolla $ign, OZ, Tyler Johnson, YEBBA, Rich the Kid, James Blake, YBN Cordae, El-P and Bonnie McKee.

August 2020 Concord strikes again, buying Imagine Dragons’ share of its back catalog (UMPG also owns a stake) in a deal reported to be in the range of $100 million to $120 million.

September 2020 Hipgnosis Songs Fund, which has been disrupting music publishing pricing models since 2018 by spending nearly $1.2 billion for songs and catalogs and paying higher-than-expected multiples, acquires Big Deal Music for $80 million, according to sources. The deal not only comes with 4,400 songs by over 160 songwriters including Teddy Geiger, Kamasi Washington, Sharon Van Etten, Sylvan Esso and St. Vincent, it also enables Hipgnosis to establish its first full-service office in Los Angeles.

October 2020 Vine Alternative Investments, one of the new financial players in music publishing, purchases the 150-plus-song catalog of Scottish DJ, producer and singer-songwriter Calvin Harris, whose hits include “Summer,” “Feel So Close” and the Rihanna collaborations “We Found Love” and “This Is What You Came For.” According to sources, the price was $105 million.

November 2020 Hipgnosis makes its biggest acquisition to date: a preemptive deal to purchase Kobalt Music Copyrights Fund 1 — 42 catalogs comprising 33,000 songs by Lindsey Buckingham, Steve Winwood and The B-52s, among other writers for $323 million.

Taylor Swift’s ‘Folklore’ Live Album Is This Week’s Fan Favorite New Music

Taylor Swift’s surprise live album, Folklore: The Long Pond Studio Sessions, has topped this week’s new music poll.

Music fans voted in a poll published Friday (Nov. 27) on Billboard, choosing the 30-year-old pop superstar’s latest album as their favorite new music release of the past week.

Folklore: The Long Pond Studio Sessions brought in nearly 48% of the vote, beating out new music by Miley Cyrus (Plastic Hearts), Bad Bunny (El Ultimo Tour Del Mundo) and Jennifer Lopez (“In the Morning”), among others.

Last week, Swift treated fans to early Christmas gifts by releasing a Disney+ film documenting the making of her 2020 quarantine album, Folklore, along with a live version of the release, titled Folklore: The Long Pond Studio Sessions.

In the film, Swift talks about the making of Folklore, which hit No. 1 on the Billboard 200, giving an insight into how the lockdown album was pieced together.

Placing second on the tally with nearly 35% of the vote was Cyrus’ rock-fueled seventh studio album, Plastic Hearts. The 15-track set includes the previously-released singles “Midnight Sky,” “Prisoner” (with Dua Lipa) and “Edge of Midnight” (with Stevie Nicks).

Coming in third was the “other” category with about 7 percent of the vote, followed by Bad Bunny’s surprise album, El Ultimo Tour Del Mundo, in fourth with about 5% of the vote.

See the final results of this week’s new music release poll below.

Francia Raisa Responds to ‘Saved by the Bell’ Reboot Joking About Selena Gomez’s Kidney Transplant

Selena Gomez’s close friend Francia Raisa is speaking out against the new Saved by the Bell reboot, which recently joked about the pop star’s kidney transplant in 2017.

Raisa, who donated a kidney to Gomez, took to Twitter on Saturday (Nov. 28) to chastise the show’s executive producers and NBCUniversal’s streaming service Peacock following an apology they issued after receiving major backlash from the singer’s fans on social media.

“Appreciate the apology but let’s not forget about the donors that potentially felt offended and dismissed from the spray paint written on the wall,” Raisa wrote in response to the statement.

In addition to their public apology, the team behind the new Saved by the Bell said they have been in touch with Gomez’s representatives and plan to make a donation to The Selena Gomez Fund for Lupus Research at USC.

In the sixth episode of the reboot, which premiered last week, two students at Bayside High argue over who donated a kidney to Gomez in 2017 after she had been diagnosed with lupus years earlier.

“I know for a fact that Selena Gomez’s kidney donor was Justin Bieber’s mom. God, I wish that I had my phone so that I could prove it,” one character says. The other student replies, “Prove what? That you’re an idiot? It was Demi Lovato’s kidney. They’re best friends, like you and I were.”

In a later scene, the words “Does Selena Gomez even have a kidney?” are written on the high school’s walls near some lockers.

Selenators took to Twitter on Saturday to criticize the show, causing “RESPECT SELENA GOMEZ” to trend on the social media platform. Gomez hadn’t publicly commented as of press time.

In September 2017, Gomez revealed she had undergone a kidney transplant to combat her lupus, an autoimmune and inflammatory disease that sometimes causes kidney failure, when she posted an Instagram picture of herself holding hands with Raisa in their adjacent hospital beds.

Halsey Speaks Out After 2021 Grammy Nominations Snub: ‘It’s Not Always About the Music’

Halsey is getting a few things off her chest after being snubbed once again by the Grammys.

The 2021 Grammy Awards nominations were announced on Tuesday (Nov. 24), with Beyonce leading the way with nine nods, followed by Taylor Swift, Dua Lipa and Roddy Ricch with six apiece. Notable snubs included The Weeknd, Halsey and Selena Gomez — all of whom had out major albums that sported Billboard Hot 100-topping singles.

“I’ve been thinking and wanted to choose my words carefully because a lot of people have extended sympathy and apology to me since the Grammy nominations,” Halsey wrote in her Instagram Stories on Saturday (Nov. 28).

The 26-year-old pop star’s exclusion from the 2021 Grammy nominations came as a surprise to many, given that her recent album, Manic, featured the hit song “Without Me,” which reached No. 1 on the Hot 100.

To date, the singer has not been nominated in a Big Four (album of the year, record of the year, song of the year and best new artist) category at the Grammys. She has received just two Grammy nominations to date, both four years ago. The singer was nominated for best pop duo/group performance for “Closer,” her megahit collab with The Chainsmokers, and album of the year as a featured artist on Justin Bieber’s Closer.

“The Grammys are an elusive process,” Halsey continued in her post. “It can often be about behind the scenes private performances, knowing the right people, campaigning through the grapevine, with the right handshake and ‘bribes’ that can be just ambiguous enough to pass as ‘not bribes.'”

She added that many politics go into receiving a Grammy nomination, including “committing to exclusive TV performances” that help the Recording Academy earn “millions in advertising on the night of the show.”

Halsey also gave a shout-out to The Weeknd, who was also snubbed despite having released a massively popular album in After Hours, which included the record-breaking hit song “Blinding Lights.”

“It’s not always about the music or quality or culture,” she wrote. “While I am THRILLED for my talented friends who were recognized this year, I am hoping for more transparency or reform. But I’m sure this post will blacklist me anyway.”

Mike Tyson and Roy Jones Jr. Boxed — But Snoop Dogg’s Commentary Won the Fight

Mike Tyson and Roy Jones Jr. faced-off against each other in the ring Saturday night (Nov. 28) in a highly-anticipated exhibition bout — but it was Snoop Dogg who social media users declared winner the evening.

Born Calvin Broadus Jr., the rapper, actor and entrepreneur gave color commentary for multiple matches, including Jake Paul versus Nate Robinson and the main event, which was the former heavyweight champion Tyson vs icon Jones Jr.

Snoop had fans rolling on social media with his numerous quips during the fights, one of the most popular being when he said of the Tyson-Jones Jr. battle, “This s–t is like two of my uncles fighting at the barbecue.”

And it was not just the jokes, of which there were plenty, but also his genuine reaction to the action, especially the Paul-Robinson undercard which some viewers noted was far more entertaining than the Tyson-Jones Jr. draw.

“Oh, my God, Lord have mercy! Oh, Jesus!” Snoop shouted at one point when Paul knocked Robinson to the ground. He then began singing a spiritual hymn as Robinson stumbled around the ring, trying to regain his composure.

Musicians, Hollywood stars and pro athletes also complimented Snoop on his work, including Lakers superstar LeBron James. “My Unk @SnoopDogg is simply the greatest at whatever he does man!! Swiss Army Knife++++++,” James tweeted.

After the event, Snoop tweeted, “I had fun 2nite yall.”

See more reactions to Snoop Dogg’s commentary below.

This article originally appeared on The Hollywood Reporter.